The better everyday camera — Pixel 4 or iPhone 11 Pro?

I need a new phone.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

A big chunk of my time on the iPhone was spent taking pictures, so I’m heavily basing the next smartphone on its camera capabilities. After playing around with the Pixel 4 for Brian’s review, I’m considering switching teams.

Price-wise, it would make sense to compare the iPhone 11 with the Pixel 4, as they both start at around $ 700, but I’m interested in the best Google and Apple have to offer.

Pixel 4 and iPhone 11 Pro

There are a lot of fancy terms between the two — slow sync, true tone flash, phase detection, etc. I really don’t care. I just want to know which one is better as an everyday camera. To that end, here are some pictures in various settings and lighting situations (all images are clickable to view in high-res):

Landscape/cityscape

Brooklyn from Manhattan, right after the rain.

L: Pixel 4, R: iPhone 11 Pro

L: Pixel 4, R: iPhone 11 Pro (.5x)

Portrait

Arman suffused in pinkish-red light, backlit with afternoon window light. Both were shot from the same distance. 

L: Pixel 4, R: iPhone 11 Pro

Food

Hotpot in incandescent lighting.

L: Pixel 4, R: iPhone 11 Pro

Japanese and Mexican in low light.

L: Pixel 4, R: iPhone 11 Pro

Group selfie

One of these guys is an Emmy award winner.

Pixel 4 iPhone 11 Pro comparison group selfie

L: Pixel 4, R: iPhone 11 Pro

Low lighting

I always find venue lighting unnatural, and unflattering. Also, put your phone down and enjoy the show.

L: Pixel 4, R: iPhone 11 Pro

Pixel 4 yields brighter images, but the iPhone 11 Pro kept the bar’s ambiance. Plus shooting super-wide on humans adds a certain quirkiness.

L: Pixel 4, R: iPhone 11 Pro (.5x)

Really low lighting with moving objects. In this case, a dog.

L: Pixel 4, R: iPhone 11 Pro (.5x)

Street photography: Manhattan skies were too cloudy that night to see stars.

L: Pixel 4, R: iPhone 11 Pro

Digital zoom

Both cameras have 10x digital zoom. Digital zoom is garbage and I don’t recommend ever using it, except to creep on your friends.

Hi Brandon.

iPhone 11 Pro (1x)

HI BRANDON.

iPhone 11 Pro (10x)

Conclusion

Pixel 4’s photo editing tools are superior, though its quality is slightly better than the iPhone 11 Pro by just a smidgen. The difference was so subtle that I had to check several times to make sure I labeled the images correctly. It really boils down to aesthetics. I’ve left commentary minimal for the most part so you can scrutinize the images and decide for yourself.

iPhone 11 Pro (.5x)

The two things that ultimately kept me with Apple: the super-wide lens and the immediacy of sharing high-res images via Airdrop. Until Google releases their version, texting a download link to the high-res image is just an extra unnecessary step I don’t care for.

Gadgets – TechCrunch

Apple reportedly working on satellite technology for direct wireless iPhone data transmission

Apple is said to be working on satellite technology, having hired a number of aerospace engineers to form team along with satellite and antenna designers, according to a new report from Bloomberg. The report notes that this is an early-stage secret project that could still be scrapped, but that the purpose of the team and its work is to potentially develop communications satellite technology that can send and receive data directly to user devices, including the iPhone, in a bid to make it possible to connect Apple devices without the need of a third-party network.

Bloomberg says that Apple won’t necessarily be building its own satellite hardware – it could instead be developing just th re transmission devices or ground-based equipment to make use of data transmissions for orbital communications equipment. The tech could be used for actually delivering data directly to Apple devices, or it could just connect them to each other independent of a cellphone carrier data network. It could also be used to provide more accurate location services for better maps and guidance, the report says.

Apple is said to have hired both executives and engineers from the aerospace and satellite industry, including Skybox Imaging alumni Michael Trela and John Fenwick who are leading the team. These two formerly headed up Google’s satellite and spacecraft divines. New hired include former Aerospace Corporation executive Ashley Moore Williams, as well as key personnel from the wireless networking and content delivery network industries.

The idea of providing a data network from space direct to devices seems preposterous on its face – most data communications satellites require communication with ground stations that then relay information with end-point devices. But it’s not an unheard of concept, and in fact we wrote earlier this year about Ubiquitlink, a company that’s focused on building a new kinds of low-Earth orbit communications satellite constellation that can communicate directly with phones.

Ubiquitlink’s initial goals spell out what a supplemental direct satellite communication network could provide on top of regular iPhone carrier service: The startup company hopes to essentially provide global roaming with a connection level that probably isn’t anywhere near as fast as you’d get from a ground-based network, but is usable for communication at least – and not dependent on local infrastructure. It could also act as a redundant fallback that ensures no matter what your main network status, you’ll always be able to do less data-intensive operations, like texting and calling.

While there’s obviously a lot of unknowns remaining in what Apple is working on or what it will eventually amount to, if anything, it’s very interesting to consider the possibility that it could offer a level of always-on connectivity that’s bundled with iPhones and available even when your primary network is not, that offers persistent access to features like iMessage, voice calls and navigation – leaving streaming and other data-intensive applications to your standard carrier rate plan.

Gadgets – TechCrunch

Apple’s iPhone 11 Pro battery case sports a new camera button

Apple just released the iPhone 11 Pro’s battery case and it comes with surprise: a button for the camera. This is a minor, but welcomed addition to an otherwise standard battery case.

The button is clever. It’s located on the bottom half of the case is not a soft button that presses something on the phone. This button is exclusive to this case and when pressed, launches the iPhone’s Camera app even if the iPhone is locked. A quick press takes a photo and a longer press takes a QuickTake video.

The $ 129.00 case has other features too. It’s compatible with Qi-certified chargers and works with USB-PD-compatible chargers to pump power into the battery at a faster rate. Apple says, when the case is fully charged, it will provide the 50% longer battery life.

This is the first time Apple has added a shortcut of sorts to the camera app. On most Android phones, a double press of the power button launches the camera app. It’s handy, and while this button is exclusive to a case, is a step in the right direction. Here’s hoping that Apple figures out how to add this button to non-battery cases.

Gadgets – TechCrunch

The new iPhone is ugly

I’ll be the first to admit that I’m a bit old-fashioned when it comes to phones. Everyone scoffs at my iPhone SE, but the truth is it’s the best phone Apple ever made — a beautiful, well designed object in just about every way. But damn is the iPhone 11 Pro ugly. And so are the newest phones from Samsung and Google, while we’re at it.

Let’s just get right to why the new iPhones are ugly, front and back. And sideways. We can start with the notch. Obviously it’s not new, but I thought maybe this would be some kind of generational anomaly that we’d all look back and laugh at in a year or two. Apparently it’s sticking around.

I know a lot of people have justified the notch to themselves in various ways — it technically means more raw screen space, it accommodates the carrier and battery icons, it’s necessary for unlocking the phone with your face.

Yeah, but it’s ugly.

If they removed the notch, literally no one would want the version with the notch, because it’s so plainly and universally undesirable. If Apple’s engineers could figure out a way to have no notch, they’d have done it by now, but they can’t and I bet they are extremely frustrated by that. They try to hide it with the special notch-camouflaging wallpaper whenever they can, which is as much as saying, “hey, we hate looking at it too.”

nonotch

You can forget for a few seconds. But in the back of your mind you know it’s there. Everyone knows.

It’s a prominent, ugly compromise (among several) necessitated by a feature no one asked for and people can’t seem to figure out if they even like or not. Notches are horrible and any time you see one, it means a designer cried themselves to sleep. To be fair that probably happens quite a bit. I grew up around designers and they can be pretty sensitive, like me.

I’m not a big fan of the rounded screen corners for a couple reasons, but I’ll let that go because I envision a future where it doesn’t matter. You remember how in Battlestar Galactica the corners were clipped off all the paper? We’re on our way.

Having the screen extend to the very edge of the device on the other hand isn’t exactly ugly, but it’s ugly in spirit. The whole front of the phone is an interface now, which would be fine if it could tell when you were gripping the screen for leverage and not to do something with it. As it is, every side and corner has some kind of dedicated gesture that you have to be wary of activating. It’s so bad people have literally invented a thing that sticks out from the back of your phone so you can hold it that way. Popsockets wouldn’t be necessary if you could safely hold your phone the way you’d hold any other object that shape.

 

iphone 11 pro

The back is ugly now, too. Man, is that camera bump bad. Bump is really the wrong word. It looks like the iPhone design team took a field trip to a maritime history museum, saw the deep sea diving helmets, and thought, Boom. That’s what we need. Portholes. To make our phone look like it could descend to 4,000 fathoms. Those helmets are actually really cool looking when they’re big and made of strong, weathered brass. Not on a thin, fragile piece of electronics. Here it’s just a huge, chunky combination of soft squares and weirdly arranged circles — five of them! — that completely take over the otherwise featureless rear side of the phone.

The back of the SE is designed to mirror the front, with a corresponding top and bottom “bezel.” In the best looking SE (mine) the black top bezel almost completely hides the existence of the camera (unfortunately there’s a visible flash unit); it makes the object more like an unbroken solid, its picture-taking abilities more magical. The camera is completely flush with the surface of the back, which is itself completely flush except for texture changes.

The back of the iPhone 11 Pro has a broad plain, upon which sits the slightly higher plateau of the camera assembly. Above that rise the three different little camera volcanoes, and above each of those the little calderas of the lenses. And below them the sunken well of the microphone. Five different height levels, producing a dozen different heights and edges! Admittedly the elevations aren’t so high, but still.

hero gallery color story m6kjl7t4boqm large

If it was a dedicated camera or another device that by design needed and used peaks and valleys for grip or eyes-free navigation, that would be one thing. But the iPhone is meant to be smooth, beautiful, have a nice handfeel. With this topographic map of Hawaii on the back? Have fun cleaning out the grime from in between the volcanoes, then knocking the edge of the lens against a table as you slide the phone into your hand.

Plus it’s ugly.

The sides of the phones aren’t as bad as the front and back, but we’ve lost a lot since the days of the SE. The geometric simplicity of the + and – buttons, the hard chamfered edge that gave you a sure grip, the black belts that boldly divided the sides into two strips and two bows. And amazingly, due to being made of actual metal, the more drops an SE survives, the cooler it looks.

The sides of the new iPhones look like bumpers from cheap model cars. They look like elongated jelly beans, with smaller jelly beans stuck on that you’re supposed to touch. Gross.

That’s probably enough about Apple. They forgot about good design a long time ago, but the latest phones were too ugly not to call out.

Samsung has a lot of the same problems as Apple. Everyone has to have an “edge to edge” display now, and the Galaxy S10 is no exception. But it doesn’t really go to the edge, does it? There’s a little bezel on the top and bottom, but the bottom one is a little bigger. I suppose it reveals the depths of my neurosis to say so, but that would never stop bugging me if I had one. If it was a lot bigger, like HTC’s old “chins,” I’d take it as a deliberate design feature, but just a little bigger? That just means they couldn’t make one small enough.

sung 10

As for the display slipping over the edges, it’s cool looking in product photos, but I’ve never found it attractive in real life. What’s the point? And then from anywhere other than straight on, it makes it look more lopsided, or like you’re missing something on the far side.

Meanwhile it not only has bezels and sometime curves, but a hole punched out of the front. Oh my god!

Here’s the thing about a notch. When you realize as a phone designer that you’re going to have to take over a big piece of the front, you also look at what part of the screen it leaves untouched. In Apple’s case it’s the little horns on either side — great, you can at least put the status info there. There might have been a little bit left above the front camera and Face ID stuff, but what can you do with a handful of vertical pixels? Nothing. It’ll just be a distraction. Usually there was nothing interesting in the middle anyway. So you just cut it all out and go full notch.

Samsung on the other hand decided to put the camera in the top right, and keep a worthless little rind of screen all around it. What good is that part of the display now? It’s too small to show anything useful, yet the hole is too big to ignore while you’re watching full-screen content. If their aim was to make something smaller and yet even more disruptive than a notch, mission accomplished. It’s ugly on all the S10s, but the big wide notch-hole combo on the S10 5G 6.7″ phablet is the ugliest.

galaxy s10 camera

The decision to put all the rear cameras in a long window, like the press box at a hockey game, is a bold one. There’s really not much you can do to hide 3 giant lenses, a flash, and that other thing. Might as well put them front and center, set off with a black background and chrome rim straight out of 2009. Looks like something you’d get pointed at you at the airport. At least the scale matches the big wide “SAMSUNG” on the back. Bold — but ugly.

Google’s Pixel 4 isn’t as bad, but it’s got its share of ugly. I don’t need to spend too much time on it, though, because it’s a lot of the same, except in pumpkin orange for Halloween season. I like the color orange generally, but I’m not sure about this one. Looks like a seasonal special phone you pick up in a blister pack from the clearance shelf at Target, the week before Black Friday — two for $ 99, on some cut-rate MVNO. Maybe it’s better in person, but I’d be afraid some kid would take a bite out of my phone thinking it’s a creamsicle.

pixel 4

The lopsided bezels on the front are worse than the Samsung’s, but at least it looks deliberate. Like they wanted to imply their phone is smart so they gave it a really prominent forehead.

 

I will say that of the huge, ugly camera assemblies, the Pixel’s is the best. It’s more subtle, like being slapped in the face instead of kicked in the shins so hard you die. And the diamond pattern is more attractive for sure. Given the square (ish) base, I’m surprised someone on the team at Google had the rather unorthodox idea to rotate the cameras 45 degrees. Technically it produces more wasted space, but it looks better than four circles making a square inside a bigger, round square.

And it looks a hell of a lot better than three circles in a triangle, with two smaller circles just kind of hanging out there, inside a bigger, round square. That iPhone is ugly!

Gadgets – TechCrunch

Unagi is the iPhone of scooters you actually buy

Can you never find a scooter to rent when you need one? Here’s a radical idea. Buy one. While Bird, Lime, Skip, Scoot, Uber, Lyft and more compete for on-demand micromobility, a new startup invented a vehicle worthy of ownership. The Unagi looks downright futuristic with its classy paint jobs, foldable body, LED screen, and built-in lights. The ride feels sturdy, strong, and responsive while being light enough at 24lbs to lug up subway stairs or the flights to your home.

That’s why Unagi has become a hit with musicians like Kendrick Lamar, Chance The Rapper, Halsey, Steve Aoki, and teen pop megastar Billie Eilish, who use the scooter to rip around the empty venues as they soundcheck before concerts. Paparazzi shots of those moments have spurred demand for the $ 990 dual motor and $ 840 single motor Unagis, with co-founder David Hyman telling me the startup can’t make them fast enough but it’s ramping up production.

Unagi Scooter

To fuel the fervor for the scooter before it’s inevitably copied by cheap knock-offs, Unagi has raised a $ 3.15 million seed round led by Menlo Ventures. Building on its $ 750,000 in Kickstarter, angel, and founder-contributed funding, the cash will go to building out a distribution network and developing its next-gen scooter with a smoother ride but no more pounds.

“We felt Unagi’s focus on light weight and substantial powering in a beautifully designed package was the right approach for ownership” Menlo partner Shawn Carolan tells me. “This is what premium brands do – continue to reinvent the way we think about the world. This category of vehicle – personal, portable, and electric has enormous potential and we are still in the first inning of the game.”

The magic of the Unagi Model One is how it balances speed, battery, weight, price, and style so it works for most anything and everyone. That combination won it CNET‘s best all-around scooter award versus the hardcore but extremely heavy Boosted Rev, cheap but weak Swagtron, long-lasting but boring Ninebot, and speedy but scary Mercane.

The Unagi’s biggest flaw is the smoothness of the ride due to its harder airless wheels and narrow handlebars that can make gravelly roads precarious. The high-pitched beeeeeep of its horn is also so annoying that people are more likely to cover their ears than get out of your way, but Hyman promises his 12-person team will fix that.

Unagi Handlebars

Where Unagi truly excels is in its looks. The lithe curves of its polished carbon fiber frame are accented with candy paint jobs in matte black, white, grey, and blue. It ditches the bike handlebar vibe for something closer to space shuttle controls. And while many people scoff at scooter riders, I saw those smirks turn into curious awe as I flew by.

Unagi Scooter Weight 1Hyman got the idea for a premium scooter you own after a rental turned into a melty mess. He’d taken an on-demand scooter to the grocer on a hot day, picked up some ice cream, and emerged to find his ride snatched by another user. He hustled to another nearby but someone else got their first. He walked home dripping sugar everywhere wondering “Why am I messing around with rentals i just want to own one?”

He bought a generic scooter off Alibaba, and despite being janky straight out of the box “it made me feel like I was a super hero with this magic carpet”. But he wanted something better.

Previously the CEO of audio fingerprinting giant Gracenote and then Beats Music before it sold to Apple, Hyman is known for his obsession with hi-fi speaker systems. So after touring Chinese scooter factories and still being unsatisfied, he partnered with a group of inventors called QMY who’d prototyped a slick vehicle they called the Swan. Hyman funded it to production, brought the team in house, and now they’re selling Unagis as fast as they can.

Now the startup wants to double-down on selling to more petite riders who could never carry the 46lb Boosted Rev out of a train station. But the clock is ticking before copycats with similar silhouettes but inferior insides spring up. Meanwhile, Unagi must keep safety top-of-mind to avoid any disastrous crashes hurting customers and its brand. There are plenty of better funded mobility giants that could barge into the space if Unagi can’t build a lead. It also has to prove why the reliability of ownership is worth the price of renting a scooter hundreds of times.

Unagi Scooter Blue 5

Scooters are part of a powerful wave of new technologies that actually sell us back our time. When a 20-minute walk becomes a 4-minute scoot, you gain something priceless. Urban landscapes unfold beneath their wheels as you explore new neighborhoods or parts of parks. I was once a diehard electric skateboarder until a crash on a Boosted Board shattered my ankle. Unagi is the first scooter that delivers that same gliding feeling of weightlessness and freedom but in a form-factor safe enough for most people to experience.

Gadgets – TechCrunch