Microsoft is discontinuing its Office apps for Chromebook users in favor of web versions 

Since 2017, Microsoft has offered its Office suite to Chromebook users via the Google Play store, but that is set to come to an end in a few short weeks.

As of September 18, Microsoft is discontinuing support for Office (which includes Word, Excel, PowerPoint, OneNote and Outlook) on Chromebook. Microsoft is not, however, abandoning the popular mobile device altogether. Instead of an app that is downloaded, Microsoft is encouraging users to go to the web instead.

“In an effort to provide the most optimized experience for Chromebook customers, Microsoft apps (Office and Outlook) will be transitioned to web experiences (Office.com and Outlook.com) on September 18, 2021,” Microsoft wrote in a statement emailed to TechCrunch. 

Microsoft’s statement also noted that “this transition brings Chromebook customers access to additional and premium features.” 

The Microsoft web experience will serve to transition its base of Chromebook users to the Microsoft 365 service, which provides more Office templates and generally more functionality than what the app-based approach provides. The web approach is also more optimized for larger screens than the app.

In terms of how Microsoft wants Chromebook users to get access to Office and Outlook, the plan is for customers to, “…sign in with their personal Microsoft Account or account associated with their Microsoft 365 subscription,” according to the statement. Microsoft has also provided online documentation to show users how to run Office on a Chromebook.

Chromebooks run on Google’s Chrome OS, which is a Linux-based operating system. Chromebooks also enable Android apps to run, as Android is also Linux based, with apps downloaded from Google Play. It’s important to note that while support for Chromebooks is going away, Microsoft is not abandoning other Android-based mobile devices, such as tablets and smartphones.

For those Chromebook users that have already downloaded the Microsoft Office apps, the apps will continue to function after September 18, though they will not receive any support or future updates.

Stipop offers developers and creators instant access to a huge global sticker library

With more than 270,000 stickers, Stipop’s library of colorful, character-driven expressions has a little something for everyone.

The company offers keyboard and social app stickers through ad-supported mobile apps on iOS and Android, but it’s recently focused more on providing stickers to developers, creators and other online businesses.

“We were able to gather so many artists because we actually began as our own app that provided stickers,” Stipop co-founder Tony Park told TechCrunch. The team took what they learned from running their own consumer-facing app — namely that collecting and licensing hundreds of thousands of stickers from artists around the world is hard work — and adapted their business to help solve that problem for others.

Stipop was the first Korean company to go through Yellow, Snapchat’s exclusive accelerator. The company is also part of Y Combinator’s Summer 2021 cohort.

Stipop’s sticker library is accessible through an SDK and an API, letting developers slot the searchable sticker library into their existing software. The company already has more than 200 companies that tap into its huge sticker trove, which offers a “single-day solution” for a process that would otherwise necessitate a lot more legwork. Stipop launched a website recently that helps developers integrate its SDK and API through quick installs.

“They can just add a single line of code inside their product and will have a fully customized sticker feature [so] users will be able to spice up their chats,” Park said.

Park points out that stickers encourage engagement — and for social software, engagement means growth. Stickers are a playful way to send characters back and forth in chat, but they also pop up in a number of other less obvious spots, from dating apps to e-commerce and ridesharing apps. Stipop even drives the sticker search in work collaboration software Microsoft Teams.

The company has already partnered with Google, which uses Stipop’s sticker library in Gboard, Android Messages and Tenor, a GIF keyboard platform that Google bought in 2018. That partnership drove 600 million sticker views within the first month. A new partnership between Stipop and Coca-Cola on the near horizon will add Coke-branded stickers to its sticker library and the company is opening its doors to more brands that understand the unique appeal of stickers in messaging apps.

Park says that people tend to compare stickers and gifs, two ways of wordlessly expressing emotion and social nuance, but stickers are a world unto themselves. Stickers exist in their own creative universe, with star artists, regional themes and original casts of characters that take on a life of their own among fans. “Sticker creators have their own profession,” Park said.

Visual artists can also find a lot of traction releasing stickers, even without sophisticated illustrations. And since they’re all about meaning rather than refinement, non-designers and less skilled artists can craft hit stickers too.

“Stickers are great for them because it [is] so easy to go viral,” Park said. The company has partnered with 8,000 sticker creators across 25 languages, helping those artists monetize their creations and generate income based on how many times a sticker is shared.

Stickers command their own visual language around the world, and Park has observed interesting cultural differences in how people use them to communicate. In the West, stickers are often used in place of text, but in Asia, where they’re used much more frequently, people usually send stickers to enhance rather than replace the meaning of text.

In East Asia, users tend to prefer simple black and white stickers, but in India and Saudi Arabia, bright, golden stickers top the trends. In South America, popular stickers take on a more pixelated, unique quality that resonates culturally there.

“With stickers, you fall in love with [the] characters you send… that becomes you,” Park said.

Cruise is buying solar energy from California farmers to power its electric, self-driving fleet

Cruise, the self-driving car company under General Motors, has launched a new initiative called Farm to Fleet that will allow the company to source solar power from farms in California’s Central Valley. The San Francisco Chronicle was the first to report the news that Cruise is directly purchasing renewable energy credits from Sundale Vineyards and Moonlight Companies to help power its fleet of all-electric autonomous vehicles in San Francisco.

Cruise recently secured a permit to shuttle passengers in its test vehicles in San Francisco without a human safety operator behind the wheel. The company is also ramping up its march to commercialization with a recent $5 billion line of credit from GM Financial to pay for hundreds of electric and autonomous Origin vehicles. While this partnership with California farmers is undoubtedly a boon to the state’s work in progressing renewable energies while also providing jobs and financial opportunities to local businesses, Cruise isn’t running a charity here.

The California Independent System Operator has been soliciting power producers across the western United States to sell more megawatts to the state this summer in anticipation of heat waves that will boost electricity demand and potentially cause blackouts. Power supplies are lower than expected already due to droughts, outages and delays in bringing new energy generation sources to the grid, causing reduced hydroelectric generation. To ensure California’s grid can handle the massive increase in fleet size Cruise is planning, it seems that the company has no choice but to find creative ways to bolster the grid. Cruise, however, is holding firm that it’s got loftier goals than securing the energy from whatever sources are available.

“This is entirely about us doing the right thing for our cities and communities and fundamentally transforming transportation for the better,” Ray Wert, a Cruise spokesperson, told TechCrunch.

With droughts continuing to plague California farmers, converting farmland to solar farms is a potential way to help the state meet its climate change targets, according to a report from environmental nonprofit Nature Conservancy. Which is why Cruise saw the logic in approaching Central Valley farmers now.

“Farm to Fleet is a vehicle to rapidly reduce urban transportation emissions while generating new revenue for California’s farmers leading in renewable energy,” said Rob Grant, Cruise’s vice president of social affairs and global impact, in a blog post.

Cruise is paying negotiated contract rates with the farms through its clean energy partner, BTR Energy. The company isn’t disclosing costs, but says it’s paying no more or less than what it would pay for using other forms of renewable energy credits (RECs). RECs are produced when a renewable energy source generates one megawatt-hour of electricity and passes it on to the grid. According to Cruise, Sundale has installed 2 megawatts of solar capacity to power their 200,000 square footage of cold storage, and Moonlight has installed a combined 3.9 MW of solar arrays and two-battery storage system for its sorting and storage facilities. So when Cruise buys credits from these farms, it’s able to say that a specific amount of its electricity use came from a renewable source. RECs are unique and tracked, so it’s clear where they came from, what kind of energy they used and where they went. Cruise did not share how many RECs it plans to purchase from the farms, but says it will be enough to power its San Francisco fleet.

“While the solar power still flows through the same grid, Cruise purchases and then ultimately ‘retires’ the renewable energy credits generated by the solar panels at the farms,” said Wert. “Through data that we submit to the California Air Resources Board quarterly, we retire a number of RECs equivalent to the amount of electricity we used to charge our vehicles.”

Wert says using fully renewable power is actually profitable for Cruise in California due to the Low Carbon Fuel Standard, which is designed to decrease the carbon intensity of transportation fuels in the state and provide more low-carbon alternatives. Cruise owns and operates all of its own EV charging ports, so it’s able to generate credits based on the carbon intensity score of the electricity and amount of energy delivered. Cruise can then sell its credits to other companies seeking to reduce their footprints and comply with regulations. 

Aside from practicalities, Cruise is aiming to set a standard for the industry and create demand for renewable energy, thus incentivizing more people and businesses to create it. 

“Transportation is responsible for over 40% of greenhouse gas emissions, which is why we announced our Clean Mile Challenge in February, where we challenged the rest of the AV industry to report how many miles they’re driving on renewable energy every year,” said Wert. “We’re hoping that others follow our lead.”

Netflix begins testing mobile games in its Android app in Poland

Netflix today announced it will begin testing mobile games inside its Android app for its members in Poland. At launch, paying subscribers will be able to try out two games, “Stranger Things: 1984” and “Stranger Things 3” — titles that have been previously available on the Apple App Store, Google Play and, in the case of the newer release, on other platforms, including desktop and consoles. While the games are offered to subscribers from within the Netflix mobile app’s center tab, users will still be directed to the Google Play Store to install the game on their devices.

To then play, members will need to confirm their Netflix credentials.

Members can later return to the game at any time by clicking “Play” on the game’s page from inside the Netflix app or by launching it directly from their mobile device.

“It’s still very, very early days and we will be working hard to deliver the best possible experience in the months ahead with our no ads, no in-app purchases approach to gaming,” a Netflix spokesperson said about the launch.

The company has been expanding its investment in gaming for years, seeing the potential for a broader entertainment universe that ties in to its most popular shows. At the E3 gaming conference back in 2019, Netflix detailed a series of gaming integrations across popular platforms like Roblox and Fortnite and its plans to bring new “Stranger Things” games to the market.

On mobile, Netflix has been working with the Allen, Texas-based game studio BonusXP, whose first game for Netflix, “Stranger Things: The Game,” has now been renamed “Stranger Things: 1984” to better differentiate it from others. While that game takes place after season 1 and before season 2, in the “Stranger Things” timeline, the follow-up title, “Stranger Things 3,” is a playable version of the third season of the Netflix series. (So watch out for spoilers!)

Netflix declined to share how popular the games had been in terms of users or installs, while they were publicly available on the app stores.

With the launch of the test in Poland, Netflix says users will need to have a membership to download the titles as they’re now exclusively available to subscribers. However, existing users who already downloaded the game from Google Play in the past will not be impacted. They will be able to play the game as usual or even re-download it from their account library if they used to have it installed. But new players will only be able to get the game from the Netflix app.

The test aims to better understand how mobile gaming will resonate with Netflix members and determine what other improvements Netflix may need to make to the overall functionality, the company said. It chose Poland as the initial test market because it has an active mobile gaming audience, which made it seem like a good fit for this early feedback.

Netflix couldn’t say when it would broaden this test to other countries, beyond “the coming months.”

The streamer recently announced during its second-quarter earnings that it would add mobile games to its offerings, noting that it views gaming as “another new content category” for its business, similar to its “expansion into original films, animation and unscripted TV.”

The news followed what had been a sharp slowdown in new customers after the pandemic-fueled boost to streaming. In North America, Netflix in Q2 lost a sizable 430,000 subscribers — its third-ever quarterly decline in a decade. It also issued weaker guidance for the upcoming quarter, forecasting the addition of 3.5 million subscribers when analysts had been looking for 5.9 million. But Netflix downplayed the threat of competition on its slowing growth, instead blaming a lighter content slate, in part due to COVID-related production delays.

Boox tablets are welcome options in the growing oversize e-reader niche

When it comes to e-paper devices, the Kindle is of course the first brand people think of, though I’ve done my best to spread the Kobo and reMarkable gospel as well. Chinese e-reader maker Boox is a relatively new entrant to the space, and its devices are experimental but useful options in the niche market of monochrome tablets. In fact, they make my new favorite small device.

A brand from parent company Onyx, Boox has a wide array of devices, some might say too wide, ranging from pocketable to medium-sized e-readers to A4-sized tablets. Its branding is not particularly memorable and slightly updated versions come out quite regularly — one device I hoped to test was actually being replaced by the time I got around to writing this article.

The unifying aspect is the OS, a modified version of Android 10 with a few special-made apps for reading and productivity. Made with Chinese consumers in mind, the services probably aren’t ones you will have heard of.

I tested several devices from Boox, the simplest being the Poke 3 e-reader, then the larger and more complex Note2, followed by the svelte Note Air and enormous Max Lumi. Most recently I have been looking at the Nova3 Color, which uses E Ink’s latest Kaleido Plus color screen.

The truth is if you didn’t turn them on you probably wouldn’t be able to tell that these devices were all from the same company. They have quite different hardware styles, though of course there’s only so much room for expression in a black tablet with a screen in shades of grey.

Little and big

A Boox Poke 3 e-reader in a hand.

Image Credits: Devin Coldewey / TechCrunch

Let’s begin with the simplest and most familiar format, the 6-inch e-reader. In this category we have the Kindle Paperwhite and Kobo Clara HD. The former is probably the best one Amazon makes, but I prefer the latter, even though its build quality is, frankly, poor.

Boox in this space has (among others) the Poke 3, not exactly the catchiest name, but it makes up for that with its form factor: pretty much the platonic ideal for a small reader like this. I liked it so much I broke it out into a separate review, but here are the basics.

The 6-inch, 300-PPI screen is of equal quality to the Kindle and Kobo, and like the Clara HD has a temperature-adjustable frontlight. The front of the device is completely flush, just the way I like it, and has just enough bezel to grip without it becoming too much or too little. The seamless design makes it pocketable and resistant to crumbs and spills (though it makes no water resistance claims). There’s a power button up top (thank you) and a single USB-C port at the bottom.

Regarding the hardware, I find it difficult to come up with any criticism at all. It could, I suppose, be lighter, but its dimensions could not be smaller than they are without adversely affecting the ergonomics; a millimeter could conceivably be shaved off the thickness but it would be barely noticeable.

The OS is a highly customized version of Android, with all the pros and cons that comes with. I have always enjoyed the simplicity of Kobo’s interface, though they seem bent on complicating it. Boox’s OS is powerful but busy, uneasy in its decisions of what options to make available and prominent to the user.

Screen of a Boox Poke 3 e-reader

Image Credits: Devin Coldewey / TechCrunch

The reader app, NeoReader, supports tons of file formats and has a huge set of controls for changing your view, highlighting and notating books and PDFs, and so on. This is more for the larger devices than the small ones, which really only need font adjustment and other basic stuff.

If all you want to do is read e-books you already have sitting on your computer, it’s as easy as dragging them into the “Books” folder on the device’s storage. That tab is what you’ll see when you turn on the device, and it’s always easy to get to. There’s a built-in store that takes up a whole tab, though it isn’t available in the U.S. — then a file manager tab for rooting around in directories — and a tab each for your apps and settings.

The apps are another custom situation: This being a Chinese device, it comes without the usual Google-authenticated App Store, whatever it’s called these days. Instead, it has its own store with dozens of the most-used reading apps, from Pocket and GoodReader to the Kobo and Kindle apps. But these are essentially side-loaded: for instance, the Kindle app is a few months old. That’s far from a disaster, but you do need to commit to a certain amount of trust in Boox and its proxy app store in order to use the device as-is.

Of course, you can also enable Google Play services in the settings, which adds the official store into the mix. But for most people this is already far too much work. We are both spoiled and deprived in our e-reader selection in that they are generally simple and extremely straightforward to use. Someone who is not familiar with Android, using this device and a Kobo or Kindle, would probably opt for one of the latter.

Yet the possibilities are many for those who wish to take the plunge. For my part, I like the form factor of the Poke 3 so well that I will brave any OS to use it. Besides, you spend 99% of your time on these things in a book, so as long as that part works, the rest is just icing on the cake.

View of a tablet interface with handwriting on it.

Image Credits: Devin Coldewey / TechCrunch

At the 6-inch scale, this all seems like way too much. But on Boox’s larger devices, the flexibility starts to make more sense. The idea with the Note 2 (now 3), Note Air and Max Lumi is to provide almost all the capabilities of an Android tablet, but with the benefits of an e-paper screen. Admittedly that makes playing racing games something of a non-starter, but it could be very attractive to the types of people for whom their reMarkable is used more than their iPad.

If you read a lot of documents, doing so on a bright tablet screen — or a dim one, for that matter — sucks. An e-paper screen is better for the task, but the best device for that, the reMarkable, is also very deliberately limited in what it can accomplish, since the whole philosophy of the company revolves around focus. So there are definitely people who want the capabilities of an Android device with the readability of an e-paper one. Or at any rate Boox thinks so.

The Note 2 and Max Lumi seem related: They’re unremarkable black tablets of impressive dimensions and, in my limited explorations of their hardware, what seemed to me excellent build quality. The Note Air, it must be said, is the opposite of unremarkable — in fact, when I saw it, I thought it was a clone of the reMarkable 2!

Side view of a tablet showing its thin profile and metal finish.

Image Credits: Devin Coldewey / TechCrunch

This first impression turned out to be less than generous on my part, as while the two share some significant design elements, they are in fact quite different and Boox’s facility in creating other devices has led me to give them the benefit of the doubt here. The blue and orange motif isn’t the greatest, but it does help set it apart, and all the devices (especially the Air) are thin and well designed.

All the tablets feature frontlights, and I’m happy to say that my skepticism that it could be done with such big screens was needless. It works well and like the Poke 3 the light is adjustable in both brightness and temperature (though it’s a bit fiddly).

Color e-paper still isn’t quite there

The Boox Nova3 color e-ink tablet

Image Credits: Devin Coldewey

The Nova3 Color has a 7.8-inch screen with the latest color e-paper tech from E Ink. I’ve always been excited for the possibilities of this side of the technology, but color e-paper screens have always suffered from poor contrast, low refresh speeds, ghosting and other shortcomings. While this latest iteration does go some way toward amending those (and a software update helped further), it is still unfortunately too much of a compromise.

The hardware is similar to the other Boox devices, solid and unassuming. The difference is all in the screen, which shows in color even when the device is off. Color e-paper works by combining the microscopic black and white beads that form images with a layer of color filters that can be changed. This one, like the others, has a frontlight and it helps a lot with making those colors pop, since without it they’re all rather muted.

There is still the issue of ghosting, though if you’re reading, say, a comic, you can easily set it to refresh every page (it takes only a fraction of a second) and the problem is gone. It’s less easy to do this with more dynamic content like a webpage, though of course navigating the web on an e-reader is already something of a novelty.

The color e-paper display still lacks saturation, if not contrast. Image Credits: Devin Coldewey

More troubling to me is the decrease in contrast and effective decrease in resolution that the color layer brings. When color content is shown, there’s a distinct screen door effect to it, not quite like ordinary LCD aliasing but still visible. And when you have greyscale content you sometimes see moire and other interference patterns in mid-tones.

Books look all right but not nearly as clear as an ordinary monochrome E Ink display; the screen door effect is always present and reduces contrast. It’s still very readable, but when cheaper devices do the job better, it’s hard to justify.

Text is less clear and high contrast on the color screen than on the monochrome one. Image Credits: Devin Coldewey

I appreciate Boox making the latest screen from E Ink available, and it may be useful to some who want a little more tablet DNA in their e-reader (at this point the two categories are not very distinct). But for most people the color does not add enough, and subtracts too much.

Does it all, or stretched too thin?

The OS is the same on all of these as far as I can tell, but on the these devices the focus shifts to interactivity rather than simply reading. Boox makes a Wacom-like pen that can be used to write on the surface of these larger tablets, and it serves its purpose fine, though with nowhere near the responsiveness or accuracy of reMarkable’s.

That said, the final result when sketching or writing was a pleasing one, though the OS takes a moment to catch up and anti-alias the marks. I thought the brush in particular had nice gradations.

One thing the Boox tablets have on others like them (that is to say, the reMarkable, the defunct Sony Digital Paper Tablet and a handful of other niche devices) is in the PDF handling. The Boox devices let you navigate and mark up PDFs with ease, and the original files are simply saved over with your doodles and notes added. Though marking up a document is easy on the reMarkable, its slightly clumsy app makes sharing and sorting them a bit of a chore. I prefer the simple approach: modify the original file (there’s always a copy somewhere) and email it directly from the device. It’s that simple!

Besides the reader and notebook, there are a handful of included apps that any tablet user might find useful. There’s a browser that’s about as functional as you’d expect — it’s Chromium-based and renders well but ghosts terribly; a voice recorder, a music player, a calendar… and of course you could download plenty more from the built-in or Google app stores. If you wanted to, you could make these quite well-rounded devices.

I’m not entirely sure just how large the market is for this kind of e-paper tablet. But I feel these devices offer something interesting and unique, even if they’re also… well, it’s hard to get around the fact that you can get an iPad for half the price of the larger Boox tablets, and then do most of the same stuff and more.

These e-paper devices have a certain draw, though, and if you plan to read and mark up long documents, it’s way better to do so on one of these than on an iPad, for a number of reasons. With Boox’s lineup in the mix there are more options than ever, and that’s definitely a good thing.